subscribe unsubscribe
Band Profile

Alma Gitana [Gypsy Soul] is the brain child of lead singer and percussionist Stuart Waldner. In the fall of 2003 Stuart, along with compadres Bob Elliott and Duane Corn formed Alma Gitana to share their unique style of flamenco fusion with audiences throughout the region.

Since November, 2004, Alma Gitana has enjoyed performing in a wide range of festivals and venues, including but not limited to: Louisville’s WorldFest on the Belvedere (2007 and 2008); Adelante Latin Jazz Festival, at the Jazz Factory; three appearances (2004, 2005 and 2007) at Cincinnati’s Cincy-Cinco Latin Festival; Frankfort’s Farmer’s Bank Summer Concert Series; Cincinnati’s Center for Contemporary Art; and various restaurants, festivals and coffee houses within the tri-state area.

Alma Gitana was a featured performer in the Downtown Lexington Corporation's annual series, "The Best of the Bluegrass," [April 2007] a ten-day festival saluting the region's unique culture from the arts, to music and thoroughbred racing!

Alma Gitana’s music can best be described as flamenco-Arabic fusion.

Alma Gitana Core Members are:
Bob Elliott—Owensboro, Ky., flamenco guitar and vocals
Duane Corn—Evansville, In., flamenco guitar, laud and vocals
Scott Stoess—LaGrange, Ky, bass and vocals
George Wakim—Mieh Ou Mieh, Lebanon, oud, Arabic violin, dumbek and vocals
Stuart Waldner—Frankfort, Ky., lead vocals, cajon, darbuka

Guest artist have included:
Dave Farris—Lexington, Ky., percussion
Joanna Hay—Frankfort, Ky., violin and mandolin
Reid Jahn—Louisville, Ky., soprano and tenor sax
Kenneth Metzker—Miami, Fl., percussion
Nick Radina—Cincinnati, Oh., timbales and percussion

In the fall of 2008, Alma Gitana will perform at Louisville, Kentucky's WorldFest and be featured group at the Bowling Green International Festival in Bowling Green, Ky.

After experiencing Alma Gitana, an audience member from Cadiz wrote, “Gitanos Americanos, Gracias por traer un poquito de Andalusia, me siento en casa. Olé, olé y olé!” (American Gypsies, thanks for bringing a little of Andalusia, I feel at home! Ole, ole y ole!) The passionate and soulful performances of Alma Gitana will make you want to shout “Ole” too!

Lyrics

Cuando el Silencio Grita
words by Manual Ángel Aranda

Porqué nadie escucha
lo que mi silencio grita?
Porqué silencio mi grito
Cuando podría ser oído?

Solamente tu escuchas
lo que mi silencio canta,
así tu mirada habla
me dice lo que no se oye.

Cuando un minuto es
mi soledad enclaustrada,
cuando tu ausencia es presencia
la escencia eres tu.

Cuando tu oreja es presa
de un beso cautivo
y tu corazón a galope
traspasa el umbral.

Juntos, cabalgando en el monte
de verdores amarillos
con perfumes de hierba fresca
ante un árbol de extrañas formas.

Son sonidos silenciosos
en nubes de luces encendidas
tocando el remanso acuoso
de una tarde presurosa.

Un ave lejana
ha roto mi silente canto
para llevar a ti
mis prosas de amor.

Why does nobody hear
what my silence shouts?
Why do I quiet my shout?
When it could be heard?

Only you hear,
what my silence sings,
Like your look speaks
It tells me that which can’t be heard.

When one minute is
my lonliness trapped
When your absense is present
And the escence is you.

When your ear is prisoner
of a captive kiss
And your heart galloping
crosses the threshold.

Together, riding in the hill
of yellow greenery
with perfumes of fresh grass
before a tree with strange forms.

These are silent sounds
in clouds of lights
touching a liquid pool
of a rushed afternoon.

A far away bird
has broken my silent song
to take to you
my poems of love.

Repertoire

Song
Artist
Agustito
Ketama
Bamboleo
Gypsy Kings
Cuando El Silencio Grito
Alma Gitana
El Lago
Triana
Enciendo Un Pitillo
Raimundo Amador
Esma Albi W'’shoof Da’aatu
Haleem El Roumy
Essa alayyi Ellail Ya Habibi
Sameer Yazbik
Feria del Caballo (sevillanas)
Moraito
Frío Sin Ti
Navajita Plateá
Jota Beréber
Radio Tarifa
Maltratada
Mártires Del Compás
Mirame
Original (written by Peter Suarez)
Noches De Bohemia
Navajita Plateá
Por Mucho Que Tú Lo Quisieras
Navajita Plateá
Rompeserones (tangos)
Moraito
Tesoro
Ojos de Brujo
Tan Lejos
Ketama
Trabajito Me Ha Costao
Maita Vende Cá
Traditional Sevillanas
Traditional
Un Amor
Gypsy Kings

Press

Friday, August 31, 2007
A World of Fun

Close to 100,000 expected to attend cultural extravaganza

By Larry Muhammad

. . . Part of WorldFest's entertainment will be Alma Gitana (Spanish for gypsy soul), a Lexington-based flamenco fusion band featuring two guitars, a fretless bass, and an oud, the Arabic equivalent of a Renaissance lute. "Flamenco has a lot of Arabic influences because Spain was occupied by the Moors for 800 years," said Stuart Waldner, a member of the ensemble and its spokesman. "I play a cajon, a wooden box drum that was brought into flamenco from Peru by a really famous guitarist, Paco de Lucia. We think our music invites the audience to get involved. They can dance and enjoy the experience of a very interesting and diverse culture. That's what WorldFest is all about."

August 30–September 5, 2007
A Gypsy Soul Shakedown Party

With wandering jive, Alma Gitana keeps Flamenco Alive

By Charlie Denison

When was the last time you went to see live music that put you in another world? When was the last time you were transported and taken by foreign melodies and grooves that were both enchanting and enthralling?

On Friday, Aug. 31, at Natasha’s Café, the live music itself is a cultural experience; it’s not country, rock, soul or funk, not metal, industrial, polka or punk. Alma Gitana, meaning “Gypsy Soul,” will perform roots music from southern Spain and the Middle East, known around the world as flamenco.

Every month Stuart, Duane, Bob, Scott and George bring their love and joy to Natasha’s and proudly carry on the tradition of flamenco for friends, family and appreciators. Flamenco music is a mystery in this part of the world, but these five musicians — somewhere along the way — all discovered the music that changed their lives and strongly encourage anyone to expand their musical comfort zone and be delighted by something different.

Singer and percussionist Stuart Waldner has always been open to new music — especially music from other countries and cultures. When guitarist Bob Elliot introduced him to flamenco for the first time, he was struck and seduced by the spiritual sound.

“The music affected me in some deep and profound ways,” Waldner said. “It grabs a hold of you and doesn’t really let go.”

Waldner, who received a bachelor’s degree in music performance with an emphasis on percussion from the University of Kentucky, considers himself a musical gypsy. At a young age, Waldner started a musical journey exploring the sounds of the world.

“Ever since I was really little, I was fascinated,” Waldner said. “My brothers and sisters would always watch ‘American Bandstand,’ but I’d watch ‘Soul Train.’”

Waldner found all different types of rhythms and melodies during his exploration. He had music wanderlust and longed to be captivated in a way he hadn’t been before. Still, it was not until 1999 that Bob Elliot introduced him to the beauty and complexity of flamenco. After playing together with Elliot and guitarist Duane Corn for a few years, in 2004 it was time to expand. After asking around for bass players in town, he reached former Velvet Elvis bass player Scott Stoess and asked if he had any experience with the unique style.

“I thought he was joking at first,” Stoess said, “but when I got over there and played with them, I realized flamenco is so inherently rhythmic that it gives me a lot of space to play around the downbeat. It really appeals to me.”

All five “gypsy souls” are seasoned musicians: guitarist Bob Elliot studied with local luminary Jerry Belsak in the late 1970s and played flamenco guitar for the Ballet Espanol of Louisville in 1987. Corn is classically trained and also received both a Bachelor of Music and Bachelor of Music Education degree from the University of Evansville.

George Wakim, originally from southern Lebanon, is a left-handed, self-taught violin player who also dabbles in the oud (a relative of the mandolin) and the tabla. He joined the band in 2005. His unique influences bring an Arabic style to the table that is enchanting and hypnotizing, creating what they like to call “flamenco fusion.” The more they play at Natasha’s, the more new people arrive. Even though they have a lot of return visitors, those new to their sound are dumbfounded.

“Traditional flamenco is pretty intense and demands a lot of attention from the audience,” Waldner said. “Our music really invites people to get up and dance.”

The performance begins at 9 p.m. Friday at Natasha’s Café. All ages are welcome. If you feel reluctant to explore a different world of music, remember what Stuart says: “You don’t have to be a gypsy to have a gypsy soul.”

Flamenco Fusion is some of the most exciting and engaging music on the world music scene. Alma Gitana (Gypsy Soul), a Lexington-based fusion band, is gathering recognition for their fine blending of flamenco with Middle Eastern music and jazz influences. Their excellence has emerged from their musicianship along with the teaching and encouragement of established flamenco artists. “Being musicians from outside the culture of flamenco, we are striving to learn the music as deeply as we can,” said Stuart Waldner, the lead singer and founder of the band. “That means having as much contact with and exposure to the Flamenco artists that come from the music’s homeland in Andalusia, Spain.”

One supporter of Alma Gitana is Alfonso Cid, an internationally known singer of traditional Cante Flamenco and a native of Seville, Spain. “I’m really impressed with what I’ve heard of Alma Gitana’s music,” wrote Cid in response to an e-mail inquiry. “I’m really amazed at how musicians from other cultures embrace Flamenco and make it part of their lives. That makes me feel proud of being a person from Andalusia, and it’s amazing that the music from where I am makes such a big impression on such good musicians. These guys from Alma Gitana really care and are doing a great job on introducing Flamenco to bigger audiences.”

Waldner traveled to the “Big Apple” with other members of the band to attend concerts across the city during the 2007 New York Flamenco Festival. He met Cid during that trip through the flamenco guitarist, Arturo Martinez, who has been a friend and teacher to Alma Gitana. Cid coached Waldner in techniques of flamenco singing.

Alma Gitana is getting recognition from other quarters, as well. The group was featured last year at the Jazz Factory in Louisville as part of the Adelante Latin Jazz Festival. “Alma Gitana provides a fascinating mix of gypsy jazz and rhythmic precision that entranced the audience,” said Ken Shapero, owner of the Jazz Factory. “This is a band that takes care of business.” To see the band one need only travel as far as downtown Lexington where they usually appear at Natasha’s Cafe once a month.

The group grew from the ensemble of three: Stuart Waldner, vocalist and percussionist, and Bob Elliott and Duane Corn, both guitarists. Later Waldner would propose that they expand and form a flamenco fusion band, but starting in 1999, they were part of Jaleos Flamencos, playing traditional flamenco accompaniment for flamenco dance performances. These days the band is accompanied by flamenco dancers only on special occasions, like for their recent show at the Thoroughbred Theater in Midway, where they were joined by dancers Chandra Nair and Jennifer Laughlin, both of Mecca Studio in Lexington.

During a recent Alma Gitana show at Natasha’s, Waldner introduced a flamenco instrumental piece that prominently featured Elliott’s guitar work. He remarked that without Elliott, the band would not be.

"My Dad went to a flamenco show, made friends with the musicians and brought them all home for a party,” recalled Elliott. A late night of live music, dancing and jovial spirits kept the young boy, who was supposed to be in bed sleeping, riveted to the upstairs banister where he peered down and listened. “For a boy growing up in rural western Kentucky, it was sure exotic and foreign sounding,” said Elliott. Years later, having rediscovered one of his father’s flamenco records, Elliott shifted his priority away from playing folk and rock on his guitar. He connected with virtuoso flamenco guitarist Rene Heredia, a “true gypsy” from Sevilla, Spain, who had taken up residence in the U.S. Elliott continues making annual trips to Colorado to study with Heredia.

After some solo public shows on flamenco guitar, Elliot invited Waldner to join him on percussion. Waldner, an accomplished percussionist, had been a musical gypsy himself, gathering experience with various styles in the world of drumming, from rock and jazz to hand drumming in the West African styles of Mali and Senegal to traditional Irish and Scottish percussion.

"When Bob asked me to play percussion, he gave me recordings to listen to,” said Waldner. “I was blown away by the rhythmic complexity of flamenco.” Waldner now plays percussion for Alma Gitana on a variety of instruments, but most prominent is the cajón, a drum box originating in Peru that has been widely adopted into flamenco music over the last 30 years.

Next to join was Duane Corn. He had met Elliott at a flamenco guitar workshop. When he moved to Lexington in 1999, he saw Elliott and Waldner play and was eager to join. Corn brought highly skilled guitar technique to the group. He had trained in classical guitar (also becoming a member of Lexington Guitar Trio). Corn also plays the laud, a stringed instrument of the Spanish folk tradition, known to some as the Spanish mandolin.

In early 2004 George Wakim joined the band bringing another strand of exotic sound with the Middle Eastern music of the oud, a stringed instrument that is the ancestor of the Rennaisance lute. The oud has a fretless neck that allows for the playing of micro tones and pitches that slide into one another, Arabic style. Wakim also brings Arabic style violin and singing, as well as tabla playing. “I had seen George play at Mayfest,” said Waldner. “I thought right away that he’d be great to have in our group. He came to a rehearsal and has been with us ever since.” Wakim’s roots in Middle Eastern music come from his upbringing in Lebanon. When hearing him play, he’s so good, it’s surprising to consider that he’s self taught on all of the instruments he plays. He also crafted his own violin, having studied instrument building with the late J.B. Miller of Lexington.

Scott Stoess later in 2004 joined Alma Gitana. His masterful playing of the fretless bass blends into the music’s weave giving it a foundation and providing a good groove when called for. Stoess first became known in the Lexington music scene as a member of the 1980s band, Velvet Elvis. He has since played freelance, and has recorded with Patrick McNeese.

Occasional guest artists include Reid Jahn on soprano and tenor sax, David Farris on percussion and Nick Radina on timbales and percussion.

Download a printable PDF of this article.

© 2007, Campbell Wood. All rights reserved. Story and Photo by Campbell Wood

 

Alma Gitana is group of very talented musicians, who fuse together their musical backgrounds to create a collective sound that embraces flamenco and Arab influences. A fusion sound rooted in flamenco.

The band was formed in November 2003 by three Lexington, Kentucky musicians: Bob Elliot, Stuart Waldner and Duane Corn. Since then it has performed at “juergas”, coffee houses, restaurants, art festivals and Latin music festivals in this region.

“The idea of Alma Gitana is to do something that stands on its own musically, something where the audience can get up and dance and participate, [creating a sound] a little bit more familiar than traditional Flamenco”, says Waldner. “We are so excited about this music that we want to share it.”

Their repertoire consists of unique arrangements of songs written by some of Spain’s most progressive flamenco fusion bands as well as some original material. Regardless of the music’s origin, Alma Gitana infuses the songs they play with their own unique musical style and sound.

The reaction to their style of music has been surprisingly positive.

“People seem to be very attracted to the sound. A lot more accepted it than I expected. […] Evidently there are a lot of people around here with Latino or Spanish blood. Even if they are not Latino, Spanish or Mexican, they are very attracted to this music,” says Elliot.

Corn shares that feeling, arguing, “To have a gypsy soul you don’t have to be a gypsy. It is all about the way you approach the music. It’s about walking into a different new world.”

Alma Gitana will continue performing locally, but also looks to expand their performances regionally in theaters, festivals and soon they will start recording their own material.

Alma Gitana will be playing on March 3 at the Thoroughbred Theater in Midway from 8 to 10 p.m. For more information call Alma Gitana at (859) 699-0563.

Download a printable PDF of this article.

© 2007, Andrés Cruz. All rights reserved.


LEXINGTON - Alma Gitana es un grupo de músicos talentosos que juntos fusionan sus habilidades musicales para crear un sonido colectivo abrazado en una mezcla de influencias flamencas y árabes. Un sonido de fusión enraizado en el flamenco.

La banda fue formada en Noviembre 2003 por tres músicos de Léxington, Kentucky: Bob Elliot, Stuart Waldner y Duane Corn. Desde entonces el grupo se ha presentado en juergas, cafés, restaurantes, festivales de arte y de música latina en esta región.

“La idea de Alma Gitana es realizar algo que se distinga por sí mismo en términos musicales, algo con que la audiencia se levante, baile y participe, [creando un sonido] que es un poquito más reconocido y familiar que el flamenco tradicional”, dice Waldner. “Estamos muy emocionado con esta música y deseamos compartirla”.

Su repertorio consiste de arreglos singulares de canciones escritas por algunas de las bandas más progresivas de fusión flamenca de España, así como también, material original. Sin importar del origen de la música, Alma Gitana incorpora a esas piezas su estilo y sonido musical único.

La reacción a su estilo de música ha sido sorprendentemente positiva.

“La gente parece sentirse atraída a esta música. Mucho más aceptada de lo que me esperaba.[...]Evidentemente hay mucha gente por aquí con sangre española o latina. Aunque no sean españoles, latinos o mexicanos, se sienten muy atraídos hacia esta música”, dice Elliot.

Ese mismo sentimiento es compartido por Corn quien argumenta que “para tener una alma gitana no se necesita ser gitano. Se trata de cómo te acercas a esta música. De entrar a un mundo nuevo y diferente”.

Alma Gitana continua presentándose localmente pero también busca expandir sus presentaciones regionalmente en teatros, festivales y pronto piensa grabar sus propias composiciones.

Alma Gitana se presentará el 3 de marzo en el teatro Thoroughbred en Midway de 8 a 10 p.m. Para mayor información llame a Alma Gitana al (859) 699-0563. Alma Gitana will perform on March 3 at the Thoroughbred Theater in Danville.

Testimonials

"Alma Gitana provides a fascinating mix of gypsy jazz and rhythmic precision that entranced the audience at the 2006 Adelente Festival. This is a band that takes care of business.”
Ken Shapero
Proprietor
The Jazz Factory
Louisville, KY

“I’m really impressed with what I’ve heard of Alma Gitana’s music, I’m really amazed at how musicians from other cultures embrace Flamenco and make it part of their lives. That makes me feel proud of being a person from Andalusia, and it’s amazing that the music from where I am makes such a big impression on such good musicians. These guys from Alma Gitana really care and are doing a great job on introducing Flamenco to bigger audiences.”
Alfonso Cid
Singer
Gazpacho Andalú
New York, NY

“Alma Gitana was the perfect addition to our fundraiser. The music was fantastic and for the first time in 6 years, we actually had people dancing! It was by far the best event we have ever had. I would highly recommend Alma Gitana—they are amazing and great to work with.”
Katie Brass
Development Director
Contemporary Arts Center
Cincinnati, OH

“Alma Gitana drew a nice crowd to the stage when they performed at the Cincy-Cinco Latino Festival in Cincinnati, Ohio. They were extremely professional to work with and very cooperative with last minute changes. They are a talented group and have great energy on stage. I hope to hire them again for this year’s event.”
Karen Koch
Production Manager
Cincy-Cinco, Music & Event Management, Inc.
Cincinnati, OH

"Alma Gitana consistently performs with a perfect blend of passion and professionalism. They always engage their audiences in unique ways, through their to-the-bone connection with their music and their unrivaled skill in the art of flamenco fusion."
Tara Adkins
Director of Events and Marketing at Natasha's Bistro
Lexington, KY

"Alma Gitana was the perfect addition to the 2007 Tunes in the Vines lineup at Equus Run! Their Flamenco Fusion sounds are truly inspiring and our audience fell in love with the passion and energy of these versatile and wonderfully talented musicians."
Maury Sparrow
Business Development Manager
Equus Run Vineyards
Midway, KY

“They have been a pleasure to work with at every turn. For an evening of music authenticity and imiagination, I highly recommend Alma Gitana.”
Angela Henson
Cultural Arts Director
Division of Parks and Recreation
Lexington, KY

““They were an enormous hit. The musicians are all extremely accomplished and versatile. It was unlike any other music we’ve heard here in Frankfort, and we have a vibrant music scene. I’m telling people that this is the one concert not to miss this summer in Frankfort.”
Richard Taylor
CoffeeTree Cafe &
Poor Richard’s Books
Frankfort, KY

 info  |   bios  |  gallery  |  demos  |  calendar  |  booking

© copyright 2007 Alma Gitana All rights reserved.
Site design by Stuart Waldner